Monday, 26 August 2019

Something I only noticed about Horror Sequels watching Darlin'...

Frankenstein's sequel: The Bride of Frankenstein...


Night of the Living Dead's sequel: Dawn of the Dead...


Evil Dead's sequel: Evil Dead II...


etc...


They say comedy is tragedy plus time, so it makes sense so many horror sequels turn out to be hoots, and while I knew Freddy Kreuger got sillier and Godzilla cuddlier over time, I hadn't noticed how quick the turnaround could be on absolute corkers until this evening when I saw Pollyanna McIntosh's "Darlin'" (the trailer's packed with spoilers by the way). Its predecessor "The Woman" is an absolute classic - stark and simple and absolutely merciless - and the sequel does everything I now realise a return to the scene of that trauma should do: introduces a wider world, builds a family, and parkours from tone to tone without putting a foot wrong or looking like it's searching for a way out (everything "Bride of Frankenstein" did in fact). Also it looks incredible. It's out in September I think, it will make you laugh and it will make you hurt, and it is a hoot.


"Son of Kong" however is shit.
 

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