DAFFY
Stand back, Musketeers, they shall sample my blade! Touche! Ng, ng! Ng! Ng!
Musketeers?
Ng?
En garde? My blade?
Hey, psst! Whoever's in charge here: The scenery! Where's the scenery?
Stand back, Musketeers, they shall sample... my...
Blade?Eeeee! You know better than that!
Hng! Okay. Have it your way:
Daffy Duck he had a farm, ee-yi ee-yi-oh.
And on this farm he had an igloo, ee... yi... eee... yi... Oh. Would it be too much to ask if we could make up our minds?
Hm?
Dashing through the snow, ya-ha-ha-ha! Through the fields we go, laughing all the wayeee-ee... Eee....
Farewell to thee! Farewell to thee! The wind will carry back our sad refrai-hey-hey-he-hey-ain. Our last embrace, before we say...
Hm. Sheesh. Buster, it may came as a complete surprise to you to find that this is an animated cartoon, and that in animated cartoons they have scenery, and in all the years th
Alright, wise guy. Where am I?
Cock-a-doodledoo! Buckaw kaw kaw-
Hoo-hoo-hoo-hah-hah-HAH-
Meep.
AAAAAARGHHHBUHBUHBUHAND I'VE NEVER BEEN SO HUMILIATED IN ALL MY LIFE... Look, Mac, just what's going on around here? Let's get organised, hm? How about some scenery?
That's dandy. Ho-ho, that's rich, I'll say. Now how about some colour, stupid?
Hey!
Not me, you slop artist! Huh... huh...
Well? Where's the rest of me?
It isn't as though I haven't lived up to my contract goodness knows. And goodness knows it isn't as though I haven't kept myself trim goodness knows, I... I've done that. That's strange. All of a sudden I don't quite feel like myself. Oh I feel alright, and yet I... I, uh...
Well?
Hm, a sea picture, eh? I always wanted to do a sea epic. Now, Mr. Rembrandt, if you'll kindly oblige with a little appropriate scenery: Over the sea, let's go, men. We're shipping right off, we're shipping right off...
Again?
Hey, come 'ere. Come 'ere! Give me a close-up. A close-up!
This is a close-up? A close-up, ya jerk! A close-up!
Thanks for the sour persimmons, cousin. Now look buster, let's have an understanding...
Now what?
Brother, what a way to run a railroad. Now, as I was saying - Hng! Oof! Urgh! Oof! Huh... Huh...
AAAAAAAAAAAAAAAAAAAAAAAA!
Alright... huh... let's get this picture started!
NO! NO! Listen pal, let's discuss this thing sanely, huh? Look, I tell you what: you go your way, and I'll go mine. Live and let live, right? Right.
Ladies and Gentlemen, there will be no further delays, so I shall attempt to entertain you in my own iniminimitable fashion.
Now what? What are you doing down there?
Down here? What are you doing up there? "Down here"! Listen bud, if you wasn't me I'd smack you right in the puss!
Don't let that bother you, Jack!
Okay, buddy you asked, for it...
Oh brother, I'm a buzz boy! Uh-oh, time to hit the old silk: Geronimooooooo...
Under the spreading chestnut tree the village smithy stands, the smith a mighty man is he, with strong and sinewy... haaaands?
Alright! Enough is enough! This is the final, this is the very, very last straw! Who is responsible for this? I demand that you show yourself! Who are you? Huh?!
Shades of Ophelia. Maybe try it as an audition piece.
I wonder if Galton and Simpson ever considered Daffy when writing for Hancock, seriously, and here's why: Warner Brothers' animation department originally found success with Porky Pig, whose thing was stuttering, then more success with Daffy Duck, whose thing was lisping and acting crazy, before finally striking gold with Bugs Bunny, whose thing was, let's say, surviving with panache. But in director "Chuck" Jones' hands, Bugs' success also leant new depth to the stars he'd eclipsed.
From the animation nerdery department:
ReplyDeleteThe title of the short is actually Duck Amuck, which led to Chuck Jones' memoir being titled Chuck Amuck, and hence to nearly everyone in the animation world being unaware that the actual spelling of the word is amok. Kudos to you, sir, for knowing that; you are one up on the rest of us.
Mike Maltese was Jones' layout guy, responsible for those striking graphic backgrounds that make Jones' cartoons stand out so stylishly. I'm guessing his contribution as 'story' was what we would call 'storyboards,' i.e. Jones wrote the scenario and Maltese visualised it. But I may be entirely wrong. There are probably people out there who know for sure. Given how small crews were on these films, there was probably a lot of cross-pollination regardless of one's official job title. I'd be surprised if Mel Blanc didn't contribute to the development process as well.
'Surviving with panache' is probably the best description of Bugs' thing that I have ever heard!
Thanks for a thoughtful and entertaining analysis of an animation classic – it's always a pleasure to read such things, and get new perspectives, from people who are not in the animation industry themselves, but they so rarely get written. Cheers!
Thank you! "Duck Amuck" is a much better title. Consider it amended. I actually thought it was the other way round concerning Jones' and Maltese's duties, so that's my world exploded. I'm sure you're right about Mel Blanc, and yet it's so well scripted I'm not sure if anything was improvised. Of course Mel Blanc might have just been an incredible improviser. That's definitely possible. He died the same day as Olivier, which was annoying.
ReplyDeleteI need to re-watch some Looney Toons cartoons....
ReplyDelete