Corinna Sargood's clockwork commedia walking-frame is just one of the great takeaways from the beautiful-looking Angela Carter documentary posted below. I've just re-read The Bloody Chamber, and the influence of that book on not just the writing that would inspire me, but also probably much of the décor, has struck me with the full whack of a box's four sides collapsing outwards, but I'll air further ponderings on that in the next post, and just leave Of Wolves and Women here. That's probably easiest. Enjoy.
Saturday, 3 October 2020
"If you're issued with something as hideous as a zimmer frame, you do do something about it."
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