Happily this detour also took me past a friend, Mischa from shunt who was standing at the bend in the river. I wasn't expecting to bump into him, or anyone. It's nice out, I suppose is the moral, but I know nothing's changed. I wore a mask. But also I showed my face.
Saturday 11 July 2020
Showing My Face
Something about the light on Hackney Marshes reminds me of Seurat. I'd walked here from Camden, invited to a picnic, and for the first time in four months spoke with strangers. There were teachers and doctors and musicians, one of whom pointed out to me that I wasn't wearing walking shoes, which is something to consider. It was midnight by the time I got home.
Before I headed home though, I took a detour up the Lea, past the filter beds, to visit what I think must have been the marsh office described by Ken Campbell in The Furtive Nudist. Here he'd sit beneath a fishing umbrella, pockets stuffed with stationery, and await "a commission". The last time I came here was in 2016 just after the first recording of Time Spanner, possibly also awaiting a commission.
Happily this detour also took me past a friend, Mischa from shunt who was standing at the bend in the river. I wasn't expecting to bump into him, or anyone. It's nice out, I suppose is the moral, but I know nothing's changed. I wore a mask. But also I showed my face.
Happily this detour also took me past a friend, Mischa from shunt who was standing at the bend in the river. I wasn't expecting to bump into him, or anyone. It's nice out, I suppose is the moral, but I know nothing's changed. I wore a mask. But also I showed my face.
Labels:
Art,
Ken Campbell,
Mighty Fin,
Scenery,
Seurat,
Shoes,
Shunt,
Spaces,
Timespanner
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